Praised for her “deluxe tone quality” and “mature understanding of phrasing” (Vocal Arts Chicago), Katherine Buzard has distinguished herself as a young soprano to watch. Her concert repertoire includes Mahler's Symphony No. 4, Brahms' Ein Deutsches Requiem, Handel's Messiah, Bach's Magnificat, and a number of Bach cantatas. Her operatic roles include Rusalka (Rusalka), Suor Angelica (cover) and Sorella Cercatrice II/Ensemble (Suor Angelica), Venus (Venus & Adonis), Poppea (L’incoronazione di Poppea), Nancy (Albert Herring), Ernesto (Scarlatti: La Principessa Fedele), and Tara (Anthony Davis: Lear on the Second Floor). In addition, she has performed the roles of Susannah (Susannah), Donna Anna (Don Giovanni), Meleagro (Atalanta), Aminta (Il re pastore), Serpetta (La finta giardiniera), Adele (Die Fledermaus), and Dorinda (Orlando) in opera scenes performances. In March 2019 she won the Margaret Fabian Elath scholarship through the Musicians Club of Women in Chicago and gave recitals at the Chicago Cultural Center and Union League Club in early 2020. Katherine received her Master of Music in Vocal Performance from the Royal College of Music in London and her Bachelor of Arts from Princeton University, where she graduated magna cum laude.